# https://lalulavivenzi.art ## Posts - [Hello world!](https://lalulavivenzi.art/hello-world/): Welcome to WordPress. This is your first post. Edit or delete it, then start writing! ## Pages - [SHOP](https://lalulavivenzi.art/shop-2/): WORK IN PROGRESS - [CONTACT](https://lalulavivenzi.art/contact/): LALULA VIVENZI CARRASCO Curious about a project, feeling inspired, or thinking about a collaboration? Maybe you’d like to add a piece to your collection, visit my studio, or just say hi. Drop me a line! vivenzi.lalula@gmail.com - [COOKIE POLICY](https://lalulavivenzi.art/cookie-policy/): Cookie Policy Last Updated: July 2026 This Cookie Policy explains how lalulavivenzi.art («we», «us», or «our») uses cookies and similar technologies to recognize you when you visit our website. It explains what these technologies are and why we use them, as well as your rights to control our use of them. 1. What Are Cookies? Cookies are small data files that are placed on your computer or mobile device when you visit a website. Cookies are widely used by website owners in order to make their websites work, or to work more efficiently, as well as to provide reporting information. 2. […] - [the lulezquiana's house](https://lalulavivenzi.art/the-lulezquiana-houses/): the lulezquiana’s house The Beginnings Experiments and Early Images, 2006–2009 From the very beginning, art has functioned for the artist as an operational language: a means to articulate thought and experience where words fall short. This body of images belongs to an initial phase of her journey, characterized by direct, intuitive processes unmediated by structured research. The practice is built through repetition, gesture, and the necessity of making, transforming the creative act into a true process of knowledge. At the time, the concept of a «professional artist» was not yet part of her horizon. The production was sustained by an immediate […] - [SPIRITUGRAPHY](https://lalulavivenzi.art/spiritugraphy/): SPIRITUGRAPHY The Spiritugraphy series explores the emotions belonging to the shadow of the individual, that dark side of the personality that Carl Gustav Jung defines as the “Shadow”: the set of impulses, desires, and emotions that are rejected or hidden, often inaccessible to consciousness. These emotional energies, sometimes uncontrollable, constitute an essential dimension of the psyche, whose awareness is fundamental for an authentic path of self-knowledge and personal integration. The photographs show figures suspended between light and shadow, vulnerability and strength, inviting the viewer to confront their own inner world. The recognition and regulation of these aspects of the shadow become […] - [slave race](https://lalulavivenzi.art/slave-race/): slave race Collective director. Fashion, Photography, Fashion Film, 2015 – 2016 The project Raza Esclava, within the framework of the Venecia Biennale of Bogotá, presented at the Costume Museum a micro fashion collection composed of three outfits and a fashion film as works of art, the result of a research process and working sessions in the Venecia neighborhood of the Tunjuelito locality. The project is inspired by overproduction, the value chain of the fashion industry, and the history and evolution of fashion itself. Lalula Vivenzi Carrasco participated in 2016 in the presentation of the projects developed within the Venecia Biennale of […] - [articial food](https://lalulavivenzi.art/articial-food/): articial food Photography and stop-motion video, 2016 Artificial Food is a work centered on the theme of consumerism, serving as an allegory for the nourishment of the body, mind, and soul. It offers a profound reflection on the excessive overproduction of «junk» products and content that saturate our earth, our bodies, and our minds, contributing to environmental destruction. Here, the environment is understood not only in its ecological and natural dimensions, but also as a formal, political, historical, and social context. The project acts as a medium for reflecting on the impact of consuming ephemeral and superficial realities. Artificial Food considers […] - [Diary of a Macho](https://lalulavivenzi.art/diary-of-a-macho/): Diary of a Macho Photography 2017 This photographic series is divided into different chapters that delve into the psychology and destructive behaviors of toxic masculinity. The first part of the series consists of three photographs that chronicle the cyclical dynamic of gender-based violence through a specific narrative: the man returns home and unleashes his fury, beating his wife to the point of exhaustion; immediately after, overwhelmed by sudden guilt, he retreats into alcohol to drown his shame and erase what he has done. Intoxicated, he gets into his car and speeds recklessly, losing total control of the vehicle just as he […] - [MASS GRAVE](https://lalulavivenzi.art/mass-grave/): MASS GRAVE “Attachment, ego, violence, lies, jealousy, manipulation, appropriation of the other, fear are dangerous behaviors when one loves.” These behaviors disturb lovers who are unable to get out of the hole they have dug together, determined to remain intertwined despite the wounds caused by the bonds they have woven between them. These lovers torture each other through toxic love and find themselves increasingly buried in a stormy relationship. Mass Grave is a small reflection of love experiences that anecdotally speak of true love as something indestructible, but when it has been contaminated, it becomes constant suffering for both parties, as […] - [Inner Dialogue](https://lalulavivenzi.art/inner-dialogue/): Inner Dialogue Dialogo Interno focuses on two long-exposure, black-and-white self-portraits that deeply explore the complexity of human experience, thought, and identity. This photographic series investigates extreme emotional states such as pain, the desire to disappear, rebirth, and self-knowledge. The images stem directly from two vivid and evocative dreams of mine, in which I experienced a profound confrontation with myself, transforming the oneiric experience into pure visual matter. Through the technique of dilated time, these works visually manifest the interconnectivity of spirit, mind, and body, understood as a complex and indivisible unity. I thus confront my own shadow, embracing every part that […] - [foolish men](https://lalulavivenzi.art/foolish-men/): foolish men Hombres necios is a video installation conceived as an exercise in bodily self-portraiture, historical memory, and gender resistance. In this piece, my own body becomes the living canvas for a projection: the verses of «Hombres necios que acusáis a la mujer sin razón» (Foolish men who accuse women without reason), the celebrated poetic manifesto written in the 17th century by the Mexican nun and scholar Sor Juana Inés de la Cruz. While the biting strength of her words traces across my back, my figure appears engulfed and consumed by fire. Sor Juana Inés de la Cruz—hailed as the «Phoenix […] - [REBEL SACRIFICE](https://lalulavivenzi.art/rebel-sacrifice/): REBEL SACRIFICE Rebel Sacrifice is a photographic series that reinterprets one of the most powerful symbols of Western tradition: the cross. Three women, in positions that recall that of Jesus Christ crucified, do not appear suffering nor victims, but serene, present, and conscious. Their nude bodies do not express pain, but freedom, choice, and self-determination. They are not sacrificed: they are sovereign over themselves. The cross, historically a symbol of martyrdom and obedience, is here transformed into a space of emancipation. The artist replaces the image of the suffering body with that of bodies at peace, who have chosen to follow […] - [ON THE OTHER SIDE OF THE BORDER](https://lalulavivenzi.art/on-the-other-side-of-the-border/): ON THE OTHER SIDE OF THE BORDER On the Other Side of the Border presents itself as a visual investigation of migration understood not only as geographical displacement, but as an existential condition, an identity crossing, and a continuous process of transformation. The work originates from a single photograph, taken with a vintage analog camera and later reworked through digital tools. This dialogue between analog and contemporary is not merely a technical device, but a conceptual one: the materiality of the negative preserves memory, while the digital intervention projects the image into the present and the future. What emerges is a […] - [Intertwined Hands](https://lalulavivenzi.art/intertwined-hands/): Intertwined Hands Relational Art through a Sewing Course (2024–2025) Intertwined Hands is a textile and relational project born within sewing courses designed as spaces for learning, encounter, and active listening. People from different parts of the world took part in this journey, bringing with them a diverse tapestry of languages, histories, and cultural backgrounds. The process unfolded through shared moments where participants chose words and phrases that represented them—in Italian, Spanish, and English—transforming them into stitched symbols upon the fabric. Sewing thus became a slow, collective practice, capable of fostering dialogue, trust, and the building of relationships across diverse cultures. Learning […] - [DIMENSIONS](https://lalulavivenzi.art/dimensions/): DIMENSIONS The universe is an immense and mysterious place, full of unusual wonders and rare beauty. There are gigantic explosions, primordial arabesques, and rainbows with billions and billions of galaxies and billions and billions of stars. Near one of these stars, among many fleeting vibrations, there is us. It is therefore necessary to descend into the subatomic universe, that of subtle energies, moving from the world of macroscopic phenomena to that of the infinitely small. The domain of investigation of this extraordinary world, in which the visible gives way to the invisible, belongs to quantum physics, whose developments lead us in […] - [MANIFESTOS OF A WOMAN IN THE WORLD](https://lalulavivenzi.art/manifestos-of-a-woman-in-the-world/): MANIFESTOS OF A WOMAN IN THE WORLD Collage is an instinctive language. It is a method that arises without premeditation, just as in dreams: fragments of images, experiences, and emotions intertwine spontaneously, generating visual narratives that reveal the deepest parts of thought, feeling, and identity. Each composition becomes a space for inner listening, where the unconscious takes form through assembly. Manifestos of a Woman in the World is a symbolic representation of the contemporary female experience, built from everyday life and social constructs. What I experience firsthand is shared, with infinite nuances, by thousands of other women: motherhood, home, love, desire, […] - [WOMAN POWER](https://lalulavivenzi.art/woman-power/): WOMAN POWER Woman Power was born from an immediate, visceral intuition: merging the concentric structure of mandalas with the faces and histories of women who changed the world. Initially guided by a purely creative impulse, I sought within their biographies a source of strength, determination, and resilience to answer my own vulnerabilities. It was only later that this practice led me toward a concrete exploration of mandalas and fractals, discovering that these geometries are harmonic configurations of the universe and symbols of tremendous power across numerous cultures. From Buddhist and Hindu traditions (where the mandala is a cosmic map of the […] - [FREE FEMALE POWER](https://lalulavivenzi.art/free-female-power/): FREE FEMALE POWER Free Female Power is a relational and performative research project that explores the depth of the female condition through artistic practice. At the heart of the project is the use of cardboard masks: artifacts that serve as catalysts for introspection, sharing, and learning. Through workshops and collective performances, participants are invited to engage in an active dialogue with the memories of women from different eras, cultures, and geographies, triggering a process of empathy and personal transformation. Within this framework, the mask is elevated to a symbol of visibility and liberation, restoring voice, presence, and a collective experience to […] - [impunity](https://lalulavivenzi.art/impunity/): IMPUNITY 2026 PROJECT IN RESEARCH AND DEVELOPMENT PHASE Although more and more voices are currently being raised against violence and impunity, it remains necessary to persist. Violence against the feminine continues to occur systematically and, in many cases, without consequences. The repetition of these events demonstrates that impunity does not belong to the past: it continues to operate as an active structure. Naming forms of violence is, therefore, a necessity. When they are not named, they become normalized; when they are normalized, they are repeated. Impunity not only allows violence to continue, but it actively produces more violence. It thus generates […] - [SHOP](https://lalulavivenzi.art/shop/) - [BLOG](https://lalulavivenzi.art/blog/): WORK IN PROGRESS - [EVENTS](https://lalulavivenzi.art/events/): EVENTS 29/06/202517:00 COLLECTIVE ACTION Free Female Power 05/07/2025—07/09/202518:00 Rassegna Artistica Stills Of Peace: Global Future 11/04/202526/04/2025 Art Festival Le Voci Delle Donne 04/04/2025 Trasmissione Radio Le Voci Delle Donne con Lalula Vivenzi 09/11/202430/11/2024 Partecipazione 51ª Edizione del Premio Sulmona 12/04/202427/04/2024 Art Festival LE voci delle donne - [CREATIVE](https://lalulavivenzi.art/creative/): creative “Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes, and having fun.” — Mary Lou Cook My creative reality is multifaceted. I am an artist, yes, but I am also a working woman who founded a cultural association for experimentation and collective expression Pubblica_Lab, pulls a festival forward through sheer willpower, designs fashion, and explores curating; in other words, a woman who shifts gears five times a day just to bring ideas to life. These projects are not completely isolated: they intertwine and naturally feed into one another. Here, I show those other facets. To me, shooting a […] - [CURATORIAL](https://lalulavivenzi.art/curatorial/): curatorial «Curating is creating from another dimension: a crossing of affections where we contaminate each other.» My experience in the curatorial field is initial and experimental; a new territory of exploration that has become enriching and stimulating for the development and maturity of my career. I do not understand curating as a distant theoretical exercise, but as a living space of crossings, affections, and discourses. Being an artist allows me to stand before another’s work not from a critical distance, but from the very same ground we both inhabit, accompanying the creative process through shared intuition and a deep respect for […] - [Art Projects](https://lalulavivenzi.art/art/): ART “Creativity is the impulse to experiment and inhabit the process; art is the eternal manifesto, the revelation of the soul, and the narrative of our own existence.» — Me Art is a catalyst for the unconscious and a universal language that requires no translation. Art is lived, deciphered, and integrated. It is the great transmuter of emotions, a channel to awaken critical thinking, and a free non-place to inhabit. Art is movement, questioning, and refuge. It is healing, it is catharsis, it is imagination and fantasy, it is possibility. It is the air that allows me to keep breathing. - [ABOUT](https://lalulavivenzi.art/about/): «I am in a state of being present while everything is becoming». My research stems from the personal and the intimate, developing as an inquiry into the female experience and existential questions. For me, creating is an act of emergence: bringing to light what dwells within the unconscious, the body, and the unsaid. I work from my own lived experience, yet I do not remain in the private sphere: experience becomes a shared space, capable of creating relationship, recognition, and connection. I am interested in the encounter with the other and the possibility of art generating transformation, including social change. My […] - [HOME](https://lalulavivenzi.art/): ART curatorial creative - [Privacy Policy](https://lalulavivenzi.art/privacy-policy/): Privacy Policy Last Updated: July 2026 This Privacy Policy describes how your personal data is collected, used, and protected when you visit, interact with, or submit information through this website ([https://lalulavivenzi.art](https://lalulavivenzi.art)). This document is provided in compliance with Regulation (EU) 2016/679 of the European Parliament and of the Council of 27 April 2016 on the protection of natural persons with regard to the processing of personal data (General Data Protection Regulation – GDPR). 1. Data Controller (Titolare del Trattamento) The Data Controller responsible for the processing of your personal data on this website is: 2. Types of Data Collected We collect […] ## Optional - [Agent (MCP protocol)](websites-agents.hostinger.com/lalulavivenzi.art/mcp) [comment]: # (Generated by Hostinger Tools Plugin)